THE 20 BEST HORROR MOVIES ON MAX

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This article is updated frequently as titles leave and enter Max. *New additions are indicated with an asterisk.

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Want a good scare tonight? Check out the haunted-and-stalked section of Max (the streaming service formerly known as HBO Max), which features a dense catalogue of genre films from all eras. From legit classics in the Criterion section through the hits of the ’80s and ’90s to today’s theatrical blockbusters, Max knows a thing or two about horror. Its selection is so rich that we will be rotating out entries in this horror guide regularly, so please check back often … if you dare.

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*The Amityville Horror

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Year: 1979

Runtime: 1h 59m

Director: Stuart Rosenberg

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There have been dozens of movies that have capitalized on the allegedly true story at the center of this horror classic, a movie that spawned not just sequels but an entire brand of haunted house cinema. The first is still the best. The tale of a young couple (James Brolin & Margot Kidder) who buy a house with some very dark secrets.

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Carnival of Souls

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Year: 1962

Runtime: 1h 18m

Director: Herk Harvey

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One of the best horror movies ever made, Herk Harvey’s film is an early cult classic, made for almost no money and became an influential masterpiece. Candace Hilligoss plays a woman who starts having terrifying visions after surviving a car accident. These visions lead her to an abandoned carnival. You can see this film’s DNA in hundreds of horror movies to follow, but it’s still wonderfully creepy when judged on its own terms.

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Carrie

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Year: 1976

Runtime: 1h 39m

Director: Brian De Palma

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Long before Stephen King was an entire industry, he was the guy who wrote Carrie, a 1974 novel about a bullied teen girl who unleashes hell on her classmates. Every once in a while, there’s a perfect combination of source material and creatives, and that’s what happened when King, De Palma, and Sissy Spacek combined forces here. Horror movie history would be made. Note: The underrated Chloe Grace Moretz remake is also on Max.

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The Conjuring

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Year: 2013

Runtime: 1h 52m

Director: James Wan

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One of the biggest horror films of the 2010s introduced audiences to Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga), real-life investigators of paranormal occurrences, and launched an entire industry of horror movies. The first is still the best, anchored by Lili Taylor’s great performance as a woman whose ordinary life is turned upside down by a ghost in her farmhouse in the early ’70s. Note: The Conjuring 3 and a bunch of spinoffs are also on Max. Marathon time!

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Evil Dead Rise

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Year: 2023

Runtime: 1h 37m

Director: Lee Cronin

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A hit in theaters last April, Warner Brothers has already shuffled its horror smash over to Max, free for subscribers. Rebooting the Evil Dead series for the second time (after the successful 2013 iteration), this one moves the action to an L.A. apartment building where a single mother (the phenomenal Alyssa Sutherland) gets taken over by the same evil force that once terrorized poor Ash. Twisted and clever, this gruesome horror flick was so successful that it feels like a sixth film in the series won’t take a decade to rise from the dead.

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Funny Games

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Year: 1997

Runtime: 1h 50m

Director: Michel Haneke

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Michael Haneke is one of the most daring filmmakers alive, willing to shock viewers to make a point. Perhaps his most divisive film remains this 1997 shocker about a family who are essentially held hostage in their vacation home in Austria. Over the course of the day, the criminals basically torture this family, and through fourth-wall breaks, Haneke interrogates why people would even want to watch something like this, illuminating what art can reveal about the dark side of humanity.

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Hereditary

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Year: 2018

Runtime: 2h 7m

Director: Ari Aster

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Toni Collette gives a fearless performance in Ari Aster’s debut feature, a movie that traumatizes new viewers every day. The Oscar nominee plays a woman whose life is turned upside down after the death of her mother, sending everyone into a terrifying tailspin. What starts as a family drama becomes a waking nightmare in Aster’s unforgettable vision.

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It Comes at Night

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Year: 2017

Runtime: 1h 32m

Director: Trey Edward Shults

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Trey Edward Shults is quickly becoming one of the most important directors of his generation with his personal debut Krisha and one of the more divisive films of the last few years, Waves. In between is this daring film that A24 kind of sold too much as a horror film, turning off viewers expecting something more traditional. It’s a mood piece about trust and survival starring Joel Edgerton, Christopher Abbott, Carmen Ejogo, Riley Keough, and a guy who still feels like he’s just on the verge of stardom, Kelvin Harrison Jr.

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*The Lighthouse

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Year: 2019

Runtime: 1h 50m

Director: Robert Eggers

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Is this the best COVID lockdown movie? Sure, it came out the year before, but a lot of people watched it on streaming while they were going crazy with people with whom they were stuck. Robert Pattinson and Willem Dafoe are fearless in Robert Eggers’ black-and-white nightmare about two people who learn that nothing is scarier than being trapped with someone unbearable. It’s a twisted gem.

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The Lodge

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Year: 2020

Runtime: 1h 49m

Director: Severin Fiala, Veronika Franz

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Riley Keough rules as a woman who is about to become stepmother to two suspicious children, played by Jaeden Martell and Lia McHugh. The family goes on a trip to a remote lodge and get stranded there after dad leaves on business. The kids start to play with mom’s mind, and the results are unbelievably terrifying.

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Midsommar

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Year: 2019

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Amazon Prime has lost its exclusive access to Ari Aster and A24’s excellent Midsommar, which means it’s now available on other streaming services. Florence Pugh and Jack Reynor play a couple who go to Sweden for a festival that goes horribly awry. A comedy of cultures gives way to something much darker when the true purpose of the festival is revealed in a series of final scenes you’ll never forget.

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Night of the Living Dead

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Year: 1968

Runtime: 1h 37m

Director: George A. Romero

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The movie that changed it all. It’s really hard to overstate the impact that George A. Romero’s classic black-and-white masterpiece had on not just the zombie genre but DIY microbudget horror filmmaking in general. So many people have been chasing that game-changing impact of Night of the Living Dead in the half-century since it came out, but it’s the original that’s passed the test of time.

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Orphan

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Year: 2009

Runtime: 2h 3m

Director: Jaume Collet-Serra

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Vera Farmiga and Peter Sarsgaard play a grieving couple who adopt a child after losing one of their own. As the tagline says, “There’s something wrong with Esther.” More than just a traditional “bad seed” movie, this is a clever thriller with great performances all around. It’s darkly humorous, too, constantly taking risks that other filmmakers would have avoided. It has held up remarkably well.

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Paranormal Activity

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Year: 2009

Runtime: 1h 27m

Director: Oren Peli

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One of the most profitable films of all time, this found-footage blockbuster was notoriously made for only $15K (before postproduction) and ended up grossing almost $200 million worldwide, launching a franchise that’s still going over 15 years later. A formative film in the found-footage genre, it stars Katie Featherston and Micah Sloat as a young couple who set up cameras in their house to document the supernatural presence they feel. What they find changed indie-horror-movie history. Note: Several sequels are also on Max.

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Pet Sematary

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Year: 1989

Runtime: 1h 43m

Director: Mary Lambert

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Forget that junky 2019 remake (or the even junkier 2023 prequel) and stick with the first adaptation of the Stephen King novel from the 1980s about a cemetery that brings pets back to life. Based on the 1983 novel of the same name, this is a timeless tale of not messing with the power of life and death, in which a family makes an impossible decision after a tragedy and learns their lesson the very hard way.

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Piranha

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Year: 2010

Runtime: 1h 28m

Director: Alexandre Aja

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Sadly, it’s not 3-D on Max, but you can use your imagination. Alexandre Aja helmed his loose remake of the B-movie classic about a school of piranha that causes bloody chaos at a waterside resort. Elisabeth Shue and Adam Scott totally understand that this movie needs to be as over-the-top as possible, and they play along wonderfully with the tone of this entertaining remake. (Note: Piranha 3DD is also streaming on Max.)

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Scream

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Year: 1996

Runtime: 1h 51m

Director: Wes Craven

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The Ghostface killer came back in January 2022 with the release of Scream, the fifth film in this franchise and the first since the death of Wes Craven, and the fun continued with another sequel in 2023 (before the wheels came off in the pre-production of a seventh film). Even the makers of the new movies would suggest that fans go back and watch the original films to see how Sidney Prescott (Neve Campbell) got here. All four of the Craven films are available now on Max. The first movie is still a flat-out genre masterpiece.

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The Shining

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Year: 1980

Runtime: 2h 23m

Director: Stanley Kubrick

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The most popular adaptation of a Stephen King novel is also the one the writer notoriously hated. Radically changing key elements, including the ending, Stanley Kubrick made the movie his own and made movie history. One of the most iconic horror films ever made, this one has lost none of its power in the four-decades-plus since it was released. It’s still a terrifying study in claustrophobic horror with one of Jack Nicholson’s most unforgettable performances.

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The Silence of the Lambs

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Year: 1991

Runtime: 1h 58m

Director: Jonathan Demme

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Movies don’t get much better than Jonathan Demme’s adaptation of Thomas Harris’s chilling thriller about Clarice Starling and Dr. Hannibal Lecter. With career-defining performances from Jodie Foster and Sir Anthony Hopkins, this movie still absolutely slays a quarter-century after it was released. It’s fascinating to see its DNA in so many modern genre films. Nothing about it is dated, which can’t be said about many films that are three decades old.

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The Strangers

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Year: 2008

Runtime: 1h 26m

Director: Bryan Bertino

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Loosely based on a true story, The Strangers is one of the best home invasion flicks of the modern era. It’s the terrifyingly relatable story of a couple, played by Liv Tyler and Scott Speedman, who are attacked in their vacation home in the middle of the night. Made for almost nothing, this tense film was a huge smash, tapping into something we all fear could happen when we hear a strange sound outside in the middle of the night.

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Under the Skin

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Year: 2014

Runtime: 1h 49m

Director: Jonathan Glazer

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A trippy sci-fi masterpiece, this flick stars Scarlett Johansson as an alien being exploring the world around her and, well, doing some terrifying things to the men she comes in contact with — though that description only scratches the surface of why this is a special movie, a terrifying tone piece that has more in common with Twin Peaks than with Species. It’s unforgettable and brilliant, one of the best films of the ’10s.

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The Visit

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Year: 2015

Runtime: 1h 34m

Director: M. Night Shyamalan

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It feels like everyone is back to digging Shyamalan’s undeniably original voice, but people forget that he desperately needed a comeback after the damage of films like The Last Airbender and After Earth in the early 2010s. That came in the form of this horror found footage film about a couple of kids who go to visit their truly creepy grandparents. Clever, funny, and twisted, The Visit really launched its creator back to the forefront of the horror genre.

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The Witch

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Year: 2016

Runtime: 1h 32m

Director: Robert Eggers

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The directorial debut of the future director of The Lighthouse and The Northman was an instant hit for A24 and a film that felt like nothing else on the market. Anya Taylor-Joy made her film debut in this tale set in the 1630s as a Puritan family faces an evil entity in the woods near their home. With stunning sound design and unforgettable visuals, it’s one of the best horror movies of its era.

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2020-10-27T21:14:59Z dg43tfdfdgfd